
My Favorite Photographs: Arnaud Contreras
Since 1999, Contreras has documented, via documentary films, radio programs and photographs, dramatic changes to the Sahara.
Search Result(s) for: “migration”

Since 1999, Contreras has documented, via documentary films, radio programs and photographs, dramatic changes to the Sahara.

The massacre of artisanal miners in Stilfontein exposes the South African state’s violent allegiance to corporate interests and a long legacy of extraction and dispossession.

The humanitarian industrial complex should be dismantled — but not by a billionaire-backed administration with no plan beyond abandonment.


Between the visa bond, the digital surveillance requirements, and the 74 percent rejection rate, the Trump administration has made it nearly impossible for Senegalese fans and journalists to attend the World Cup.

The former president’s abiding presence in South African politics reveals the undercurrent of cultural populism and what can happen when local beliefs cut against the grain of liberal democracy.


Europe’s flagship development plan promises investment and partnership — but delivers debt, displacement, and old colonial patterns dressed up in green.

Israel's Interior Minister, Eli Yishai basically says Israel was a white country in a debate about African immigrants and refugees.

The legacy in Morocco of the influential Spanish-born novelist Juan Goytisolo, who died in mid-2017.

The legacy of France’s colonial violence in the Indian Ocean is one stone that contemporary mainstream media tends to leave unturned.

What happens when art steps into the gaps left by official history? A conversation on race, memory, and the unfinished work of making meaning.

Sorious Samura joined African migrants trying to make it to Europe for menial jobs and loneliness.

Five filmmaking collectives from the African continent that are reinterpreting and reinvigorating notions of collaboration and distribution.

A film series in London explores what it would mean imbuing Africa with extra-terrestrial powers. We speak to the curators, Al Cameron and Nav Haq.

A recurring theme in director Akin Omotoso's films is the fraught postapartheid relationship between Nigerian migrants and their South African hosts.

Bosnia’s World Cup squad is built on the descendants of war and displacement, players raised across Europe and North America who are finding their way back through football.

Framed as hard diplomacy, economic sanctions are a subtler form of warfare — one that erodes sovereignty, punishes civilians, and extends colonial power under a new name.