• Boima Tucker

The popular Kudurista, Titica, is one of the the top stars of this growing Angolan dance music form.

• Marissa Moorman

Putting postcolonial Angola and postindustrial New York in visual touch.

• Marissa Moorman

How a music genre is selling Angola's oil boom.

• Tom Devriendt

• Marissa Moorman

In Angola, the ‘pseudo-event’ is all the rage: small in meaning but enlarged by Facebook and cell phones.

• Tom Devriendt

• Marissa Moorman

How the economic crisis in Portugal has sent the Portuguese to the shores of former colonies in search of employment.

• Marissa Moorman

Aline Frazão resists Lisbon media's pigeon-holing practices of post-colonial Portuguese paternalism.

• Marissa Moorman

Rafael Marques de Morais, despite being labeled a foreign agent by the Angolan state, has always insisted that Angolans need to resolve their own problems.

• Marissa Moorman

The challenge of creating anti-commercial rap in Angola: a market with bling, swag and surly sisters.

• Marissa Moorman

Rock music has been popular in Angola since the late colonial period and forms part of a complex urban soundscape in the country.

• Sean Henry Jacobs

Nas gets caught up in a musical scandal in Angola. Not how he wanted to make a connection to the continent.

• Megan Eardley

Why are certain kinds of war stories embraced by critics and go on to find an international audience, while other finely written stories do not?

• Dan Moshenberg

• Dylan Valley

• Sean Henry Jacobs

• Sean Henry Jacobs

• Marissa Moorman

Those who pay the highest price for the high cost of living in the Angolan capital are not expatriates, but Angolans.

• Boima Tucker

• Tom Devriendt