
The Uber driver and Muhammad Ali
When your Uber driver has never heard of Muhammad Ali you realize you're not his friend and you and he occupy different worlds.

When your Uber driver has never heard of Muhammad Ali you realize you're not his friend and you and he occupy different worlds.

The Nsibidi Institute Memory Project attempts to use digital forums to preserve popular, everyday memories of Nigeria.


Is diasporan a word? It is now. You cannot understand what it is to be Nigerian, or Kenyan or South African now, without factoring in the diaspora.

Why are we so averse to acknowledging complexity, difference, subtlety and agency when it comes to art that emerges from and in Africa?

Is the new benchmark in South African cinema “Happiness Is A Four Letter Word"?



It’s hard not to imagine what could have been, or indeed could be in postcolonial Ghana if the political will and right management was in place.



What would an alternative visual vocabulary through which to comprehend Lagos, Nigeria's commercial capital, look like?

It is rare in much of Africa to see a festival line-up of both established and up and coming artists performing with a full band.

Who, ultimately, can speak with authority on recent events in Egypt, and, more importantly, how?

A website archive makes the case that Liberia needs a history that will be called 'history after the settlers.'

Amy Sall (Sunu Journal), Candace Keller (Michigan State), Drew Thompson (Bard), curator Thato Mogotsi and Cherif Keita, reflect on Malick Sidibé's impact.


Except for one-year, when Mohamed Morsi was President, modern Egypt has only been ruled by military regimes

African travelers, it would seem, must still justify their movements across the planet (whether the motives be professional, economic or political).

The latest installment of our film news series, #MovieNight.