
Remember Caster Semenya
The story of Caster Semenya was always a story of a Black African woman, and was equally always the story of a Black woman.
6442 Article(s) by:
Rita Nketiah is a feminist researcher, writer and activist living in Accra, Ghana.

The story of Caster Semenya was always a story of a Black African woman, and was equally always the story of a Black woman.

In the wake of January 2011, art is not yet able to understand the exemplary demography of the Egyptian people.

Rock music has been popular in Angola since the late colonial period and forms part of a complex urban soundscape in the country.

The possibility of a new politics emerging from the new left social movements to reconfigure the nation state.

A series of public portraits by the young French-Algerian artist Bilel Kaltoun honors the martyrs of Tunisia’s revolution.

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Tahrir Square has become the most troublesome of metaphors in a country beset by problems of representation.

Sick mineworkers condemned to rural South Africa, die there with little or no continuation of care, follow up, or chemotherapy.

Nigeria is surely too large and its art community too diverse for any claims for representativeness to be sincerely possible?

The legendary Senegalese singer is running for president. Not everyone takes him seriously.

What is with the increasing use of sci-fi and horror elements in fairly recent music videos and films by African artists.

Most Nigerians don’t trust their government and overpaid public representatives with taxpayers’ money. So, they rose up.

Some journalism and “analysis” about postapartheid South Africa by outsiders amounts to hysteria dressed up as analyses.

The Austria-based Ghanian singer, Anbuley, shows a willingness to jump on unconventional beats.

Does South Africa’s ruling ANC still fight for the same values it championed 100 years ago?
