
No one ever finishes anything, we just stop
In Alain Gomis’s “Tey’, ‘Aujourd’hui,” a man lives the last day of his life.
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Rita Nketiah is a feminist researcher, writer and activist living in Accra, Ghana.

In Alain Gomis’s “Tey’, ‘Aujourd’hui,” a man lives the last day of his life.

A Dutch comedy about an interracial relationship may shape Dutch views of black people there in very negative ways from which they may not recover for a while.

Colombians and outsiders continue to associate Afro-Colombians largely with dance or music. This is a problem.

Director Andrew Okoko’s “The Assassin’s Practice” tampers with the tempo of melodrama. It’s also Nollywood’s response to Soderbergh’s “Bubble.”

The film, “Veejays,” comes across as an earnest attempt to learn about the ways people are remixing dominant culture industries to make their own.

The use of black and African pride by Western fast food chains to appeal to African-Americans in the United States.


An exploration of China’s presence in Zambia, including suspicion, tensions and possibilities for collaboration.

Africa is really attractive in different ways to many former Italian politicians, it seems.

The Danish filmmaker believes his work contains qualities missing from most conventional journalism. Especially journalism dealing with Africa


What would happen if you made a film about a key figure in Finnish history and cast Kenyan actors in the lead roles?

The artist Hassan Hajjaj frames his portraits of ordinary Moroccans with a neat shelf crammed with 7 Up and Coca-Cola cans, symbols of a burgeoning import market and aspiration.

The fate of the University of the Western Cape, set up for coloureds, radicalized by black consciousness and from where the ANC prepared to govern.

For Namibians fighting Germany over reparations, It’s about more than about a bit of land or perhaps some goats. It’s about time that debt was paid — with interest.

South Africans have chosen ignorance. We have decided to not know what’s on the other side of the road. To be safe in our enclaves, and only venture out to edify our prejudices or prop up credentials.