
The Russian connection
Soviet cinema had a major impact on the narratives, styles, and tone of African filmmakers.
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Soviet cinema had a major impact on the narratives, styles, and tone of African filmmakers.
If in London next Friday. Press Statement from the Victoria and Albert Museum: On 24 June

The extended Weekend Music Break honors June 16th, 1976, featuring music from young South African artists, many of whom gained recognition online.

…it: it is not “a riot” nor entirely an insurrection): Jacobin on the looting; Gabriel Gbadamosi
…I agree. Performed in 2008 with the London Undersound Orchestra the song is based on Natty’s

Puma created new kits for African teams ahead of the 2012 African Cup of Nations. At first sight, it looks exciting. Up close, the designers stuck to conservative.
…and Saul Williams. Chris Rock has a cameo: http://vimeo.com/32544670 Then there’s “London River” about a Senegalese

In Egypt, the revolutions of the present may, in the future, become the failed revolutions of the past.

…sister of Richard, Britain’s cheekiest billionaire — the festival publicity boasts it is the first trilingual

The debates about the misrepresentation of Africa in the international art community as well as privileging diaspora artists over those working in the continent, rages on.

A remarkable amount of new films in recent months have used migration, detention and illegal sea crossings as their subject matter.

What are the cultural implications of the success of individual African artists in particularly U.S. mainstream media and award shows?

…is on display at Tiwani Contemporary, in London. The Nigerian-British artist is well known for her
Bonhams must have employed some jokers to publicise their latest attempt to cash in on the

The London Festival of Photography has opened, and one of its most appealing features is an

What's the story with The Very Best's video for the single "Kondaine," where they teamed up with an American NGO and shot it in very rural Kenya.

Mary Beth Meehan, an American photographer in the U.S. northeast photographs marginal people: immigrants and poor people, both black and white.

Africa-focused sci-fi films redirects science fiction so that it becomes a fissure in which new subjects can be seen and heard. One question, however, is who makes these films.

Kaleidoscope magazine has done an "Africa" issue; it wants to walk a fine line between identity politics and universalism.

Africans can draw uninformed conclusions about what’s going on in their own backyards and on the continent.