
Revisiting the Brixton struggle
Leila Hassan and Farouk Dhondy worked at the UK publication Race Today that chronicled the early 1980s struggles against racism there.
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Leila Hassan and Farouk Dhondy worked at the UK publication Race Today that chronicled the early 1980s struggles against racism there.

A redevelopment project in Nairobi’s Ngara district promises revival — but raises deeper questions about capital, memory, and who has the right to shape the city.

The drummer, Louis Moholo-Moholo, now 72 and the last surviving member of the famed jazz bands The Blue Notes and The Brotherhood of Breath, is still out there performing.

On the latest AIAC podcast, the gang from the Nigerian Scam explores how Afrobeats got globalized, who captured the value, and why the party may be ending.

Cities will continue to exist and grow despite the coronavirus crisis because of the distinctly human need for social interaction, physical contact, and collaboration.

A people’s history of Zimbabwe’s first mbira punk band, Chikwata 263, who wanted a soundtrack for the country’s post-post colonial blues.

Can a belief be condemned as immoral? Or must we accept cultural difference, and merely condemn the acts that follow as a consequence?


The formerly exiled ANC activist and later judge Albie Sachs is archiving his life, including a new film that forms part of a larger project of legacy-making.

The fact that the choices for black people under Apartheid were either martyrdom or compromise was part of the injustice of that system.

An insight into the openly racist and homophobic atmosphere that passed for public life in Margaret Thatcher's England.

Nigeria is surely too large and its art community too diverse for any claims for representativeness to be sincerely possible?

Displacing African Studies outside of Africa and emptying it of transformative potential, obscures its revolutionary legacy. The result: an impotent, banal field.

In January 2019, a group of Zambian farmers brought their fight for justice to the UK Supreme Court, in a case with far-reaching implications for multinational companies.


Kevin Cox’s NLR essay on South Africa claims to correct liberal and culturalist accounts through historical materialism. But it reproduces the very epistemic and analytical failures it sets out to overcome.

How is Kenya's "new middle class" contributing to a pervasive low-quality oppression that leaves Kenyans feeling hopeless?

For years Bisi Silva, Nana Oforiatta-Ayim and others have been active players in the art world. Why are they being written out of the story?

Manic Street Preachers pay homage to the greatest American of the first half of the twentieth century, Paul Robeson. The music video by Nigerian Andrew Dosunmu is a tribute too.