
The West are not those most affected by terrorism
Malian director Abderrahmane Sissako’s film "Timbuktu" complicates the Jihadist narrative in Africa.

Malian director Abderrahmane Sissako’s film "Timbuktu" complicates the Jihadist narrative in Africa.

Why are the Grammys so clueless about what is contemporary Latin pop music? They keep handing out awards to veterans like Ruben Blades or Vicente Fernández.

The Nairobi-based filmmaker and musician aims to bring stories, pictures and sound together to create something immutable on the screen.

A new film about how Mozambican youth express and negotiate the country's post-socialist modernity through dance.

John Coltrane was a prophet of global black power who musically and metaphorically broke down barriers constraining the lives and imaginations of black people worldwide.

Teca, how we call our own Latin American jukebox, plans to bring you the newest, most interesting artists from the region.


The El Foukr R'Assembly collective wants to challenge dominant ideas of African identity and cultural diffusion on both sides of the Sahara.

For Aduaka, cinema is important if it illuminates or resonates something that makes up the essence of this thing called human nature.

Bantu Khamuladzi are pioneers of Malawian hip hop. Like most first generation African hip hop artists, they mimicked American styles, then found their own voices.

Viva Riva! director, Djo Tunda Wa Munga, on African self-representation, and opening a production company in "chaos."

The multimedia artist Tunde Owolabi brings Aso-Oke weaving to gallery spaces.


Okpako wants to show people as they see themselves but in a way that others can recognize themselves as well.
