God is a profitable and deadly business in Angola
In post-socialist, growth-oriented Angola, the rich are getting richer and the poor have only their faith.
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Marissa Moorman is on the Editorial Board of Africa is a Country. She is a Professor of African Cultural Studies at the University of Wisconsin at Madison.
In post-socialist, growth-oriented Angola, the rich are getting richer and the poor have only their faith.
No surprise that the dead Angolan rebel leader, Jonas Savimbi, is a video game character; in life he was a media mastermind.
The oppression/resistance model of politics explains some things, but it does not explain everything, and less and less these days on the continent.
The posters are tied to the Ghanaian and Nollywood film industries that emerged in the late 1980s.
The Angolan singer’s new album deals with war in the widest sense: war with the self, war with family, neighbors, friends.
When the Financial Times commits an entire article to topics Angolan, it fills my Google news alert for a week.
Putting postcolonial Angola and postindustrial New York in visual touch.
How a music genre is selling Angola’s oil boom.
In Angola, the ‘pseudo-event’ is all the rage: small in meaning but enlarged by Facebook and cell phones.
How the economic crisis in Portugal has sent the Portuguese to the shores of former colonies in search of employment.
Aline Frazão resists Lisbon media’s pigeon-holing practices of post-colonial Portuguese paternalism.
Rafael Marques de Morais, despite being labeled a foreign agent by the Angolan state, has always insisted that Angolans need to resolve their own problems.
The challenge of creating anti-commercial rap in Angola: a market with bling, swag and surly sisters.
Rock music has been popular in Angola since the late colonial period and forms part of a complex urban soundscape in the country.
Those who pay the highest price for the high cost of living in the Angolan capital are not expatriates, but Angolans.