A visual history of African LGBTQ

A quick review of films showing at two festivals with a focus on gay people: The Out in Africa Festival and the London Lesbian and Gay Film Festival.

Photo: Zanele Muholi.

A coincidence? Surely not. At the same time as the Out in Africa festival in South Africa celebrates lesbian and gay film, the London Lesbian and Gay Film Festival will be running. At the latter, a few films stand out that deal with the problems that African LGBTQ people face. On Saturday March 24, two South African films are screening. First, ‘Difficult Love‘ (2010) by Zanele Muholi and Peter Goldsmid, which follows the journey of celebrated photographer Muholi as she ‘navigates the politically charged environment of her native South Africa where legalized homosexuality has done little to stop the murder and ‘corrective’ rape of black lesbians.’

This film sounds fantastic, as Muholi’s photographic practice attempts to both map and archive a visual history of black lesbians in post-Apartheid South Africa, and this lends itself well to the moving image. Her photographs are stark, black and white, unrelenting and fearless portrayals of love, sex and intimacy amongst the lesbian community. In her beautiful “Being” series (2001), she lifts a veil on HIV/AIDS and lesbian relationships, showing how prevention programming is failing lesbian women, while the photographs capture women in intimate, close positions together, celebrating their form.

Her statement of intent is strong and clear, she is writing black African lesbians into a cultural and visual inventory;

In the face of all the challenges our community encounters daily, I embarked on a journey of visual activism to ensure that there is black queer visibility. It is important to mark, map and preserve our mo(ve)ments through visual histories for reference and posterity so that future generations will note that we were here.

The brilliant site African Art in London reviewed “Difficult Love” from its screening at the South London gallery in August:

The film is not wholly depressing… there are flashes of determination and even humor, and what really comes across is the tenderness between couples who find love and laughter together even in seemingly impossible circumstances. It’s tough viewing, but I can’t recommend Difficult Love highly enough …

You can watch the film here, but you’ll have to register to IMDB first.

Second in this billing is ‘Waited For‘ (2011) by Nerina Penzhorn, a documentary exploring the prejudices toward multi-racial lesbian families in South Africa. The complex issue of white lesbian couples adopting black children is approached with a true tenderness. Here’s a trailer:

Other films to see: the classic “A Place of Rage” (1991) by Pratibha Parmar, featuring the formidable women fighting for African America rights, women’s rights, and lesbian and gay rights. Interviews with Angela Davis, June Jordan and Alice Walker are still exciting and illuminating records of the lengths black women in America went to change their societies. You can watch a part of the film here (the Prince ‘Sign of the times’ soundtrack is absolutely perfect). Jewelle Gomez writes of “A Place of Rage that, “… this lyrical film begins the much needed exploration of the Afro-American women who sustained and inspired the Civil Rights Movement of the 60’s. By shining an intimate light on some of our best known artists / activists Parmar eloquently reveals the power and poetry of the hidden faces. Her film is a visual embrace of who black women really are.”

Further Reading

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.

What is free and fair?

2024 has been the ultimate election year. Just Us Under A Tree rejoins the Africa Is a Country Podcast to reflect on South Africa’s May poll and what it reveals about contemporary democratic politics.

Writers for a new world

The debacle around Ta-Nehisi Coates’ latest book shows us that no matter a writer’s individual acclaim, the liberal media establishment will never tolerate anything that fundamentally challenges its racist edifice.