Lawrence Lemaoana is one of 13 South African artists selected by curator Daniella Géo for the exhibition “Reconstruções: arte contemporânea da África do Sul” [Reconstructions: Contemporary Art from South Africa] running until 15 May at the Brazilian Niterói Contemporary Art Museum (yes, that Oscar Niemeyer building). One day they’ll organize an exhibition on contemporary South African art without the work of Goldblatt, Ballen, Kentridge or Mofokeng. One day.

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.