Gebaste Rhymes sent us a link to his single ‘Kaap issie Bom’ [translated: Cape is the Bomb], the first single off One Day Vol. 1. The full album (or audio hip-hopumentary) will be out later in 2012 and “forms part of a larger alternative education initiative.” Gebaste Rhymes describes himself as “a Cape born artist whose audacious style matches his name” and explains that “the song captures a distinctly Cape sense of humour while producer Hybrit Pettens and DJ e-20 laces it with that classic boombap sound.” We have a suspicion who Gebaste Rhymes is. Take a listen.

[soundcloud url=”http://api.soundcloud.com/tracks/31371130″ params=”show_comments=true&auto_play=false&color=ff7700″ width=”100%” height=”81″ ]

* Still image from the new documentary film “Manenberg

Further Reading

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.