Music Break. Raashan Ahmad
This video for Raashan Ahmad left me wondering why I have never taken the train to Poland. It was recorded in Poznań, while Ahmad was on tour there recently.
Further Reading
After Paul Biya
Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.
Mali’s sovereignty dilemma
Assimi Goïta’s regime has built its legitimacy on defiance of the West and promises of renewal. But with increasing internal pressure, a turn to Moscow risks deepened dependency.
An island nation, everywhere
When Cabo Verde qualified for the World Cup, celebrations erupted from Praia to Rotterdam. The Blue Sharks’ rise shows how a scattered people built a global team rooted in home.
Hospitals versus stadiums
As Morocco prepares to host AFCON and the 2030 World Cup, a decentralized youth movement is demanding real investment in public services over sporting spectacle.
Leapfrogging literacy?
In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.
We must learn to sit in the dark together
At our first workshop from our festival in Nairobi, The Elephant’s Joe Kobuthi, reflected on a year since #EndFinanceBill.
Entries, exits, permits
A reflection on traveling through the globalized walled city.
Zoë Wicomb’s local universalisms
The passing of the pioneering South African writer and critic leaves behind a body of work that challenged racial mythologies, unsettled identity politics, and grounded transhistorical vision in the particulars of place.
Reading List: Brooks Marmon
The writings of Edson Sithole, Zimbabwe’s forgotten nationalist thinker, reveal both the promise and perils of pan-African politics in the independence era.
Repoliticizing a generation
Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.
The king of Kinshasa
Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.
Drip is temporary
The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.
Making space for the ordinary
MADEYOULOOK’s ‘Dinokana’ debuted at the 2024 Venice Biennale. Now back home, Molemo Moiloa and Nare Mokgotho reflect on sound, place, and why their work is always meant for South African audiences first.
Cameroon’s last election
The outcome of the October 12 elections may make or break the resource-rich Central African nation.
Armed with October
From Sudan to Toronto, a revolutionary poem echoes across time, showing how people’s movements confront militarism, mining, and imperial order with the enduring force of collective struggle.
Rethinking the boundaries of blackness
South Africa’s visual culture reveals that its racial categories were never fixed, while the history of indenture complicates the terms of solidarity and exclusion.
Reading List: Olufemi Terry
What does it mean to imagine a city with no fixed essence, only shifting histories and unstable forms of power?
Energy for whom?
Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.
Framing otherness
Rungano Nyoni’s latest film challenges audiences to confront the collective complicity that sustains abuse.
The mourning of a man, the mirror of a nation
Charlie Kirk was not a household name in South Africa. Yet, as evidenced by the local outpouring of grief that followed his death, South Africans must confront the truth: his ideas were already at home.