Thanks to HavePlentyMusic I saw that big time house producers experimenting with Kuduro for a few years, are perhaps finally ready for Coupe Decale (Click through to listen to the remix). Kind of full circle really, as I really think Bob Sinclair’s and similar productions were a big influence on the sound of Coupe Decale, and the Euro pop surge of Magic System, Jessy Matador, et al to begin with. Boddhi Satva a house producer from Central African Republic is the perfect ambassador to bring it to the scene at large. Watch him shake his Bobaraba in a recent video interview.

Traxsource who is selling a DJ Arafat (Côte d’Ivoire) single as remixed by Boddhi describes it as “real African music.” I’ve noticed that while sites like Traxsource and the house scene in general have managed to support music that helps to redefine notions of what “African music” means, there is a tendency at the same time to hold the music back dealing in descriptions that rely on rehashed stereotypes and notions of authenticity.

Boddhi Satva does more, real Central-African-Belgian-House-Remixing below:

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.