I received my copy of this year’s Commonwealth Prize winner Aminatta Forna’s The Memory of Love in the mail the other day.
Not that I don’t like its cover (or the book), but this is just silly.
And here’s why:
Some of us (in Canada, Great Britain, South Africa and India) also know 2008 Commonwealth Prize winner Lawrence Hill’s novel as The Book of Negroes and sure, this is the Australian edition’s cover, but still…
The death of Kenya’s most enduring opposition leader invites a reckoning—not only with his contradictions, but with what his long struggle reveals about the unfinished work of liberation.
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Far-right and pro-Israel actors are recasting Nigeria’s insecurity as sectarian extermination to distract from Palestine.
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As Morocco prepares to host AFCON and the 2030 World Cup, a decentralized youth movement is demanding real investment in public services over sporting spectacle.
In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.
At our first workshop from our festival in Nairobi, The Elephant’s Joe Kobuthi, reflected on a year since #EndFinanceBill.
A reflection on traveling through the globalized walled city.
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Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.
The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.
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The outcome of the October 12 elections may make or break the resource-rich Central African nation.
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South Africa’s visual culture reveals that its racial categories were never fixed, while the history of indenture complicates the terms of solidarity and exclusion.
