[youtube=http://www.youtube.com/watch?v=WvCjZ6gThyY&w=500&h=307&rel=0]

The video for the Dominican merengue singer, Rita Indiana‘s “El Juidero,” the title track of her October 2010 release. The video for the song (a narrative about escaping to Puerto Rico), “… plays like a short film, a 1970s crime movie fantasy with heavy doses of “El Malo”-era Fania style, real-life Dominican political intrigue,” wrote New York City journalist Carolina Gonzalez (in “The Daily News” last December). It features a cameo by veteran merengue musician Johnny Ventura and was directed by Indiana’s frequent collaborator and girlfriend, Puerto Rican filmmaker Noelia Quintero.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Trump tariffs and US Imperialism

Trump’s April 2025 tariff blitz ignited market chaos and deepened rifts within his own coalition. Beneath the turmoil lies a battle between technocrats, ultranationalists, and anti-imperial populists, all vying to reshape—or destroy—American global power.