[youtube=http://www.youtube.com/watch?v=WvCjZ6gThyY&w=500&h=307&rel=0]

The video for the Dominican merengue singer, Rita Indiana‘s “El Juidero,” the title track of her October 2010 release. The video for the song (a narrative about escaping to Puerto Rico), “… plays like a short film, a 1970s crime movie fantasy with heavy doses of “El Malo”-era Fania style, real-life Dominican political intrigue,” wrote New York City journalist Carolina Gonzalez (in “The Daily News” last December). It features a cameo by veteran merengue musician Johnny Ventura and was directed by Indiana’s frequent collaborator and girlfriend, Puerto Rican filmmaker Noelia Quintero.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.