Aperture recently announced its 2010 Portfolio Prize. The winner is Swiss photographer David Favrod, whose photographs explore his mixed Swiss-Japanese identity. We are, however, more interested in the work of one of the four runners-up Julian Röder. Röder’s series, “Lagos Transformation,” is “… centered around a simple concept—the interchange of chaos and order. Röder’s cityscapes depict the complicated expansion of Nigeria’s largest and fastest-growing city.”

More from his artist statement:

Though the concept is simple, the resulting images show a complex relationship that is part landscape, part document. Paying close attention to color and scale, Röder summarizes multi-tiered landscapes into singular, factual photographs, offering viewers an intimate examination of a society that could not otherwise be experienced. Upon first glance, Röder’s photographs impart the appearance of order. There are hundreds of cars parked in neat rows, workers’ shanties mimicking a city grid, and new public buses, bright red and ready to depart. But look closer and chaos begins to emerge. Amongst the rows of new buses are haphazard piles of tires, electricity generators are scattered on roofs, and there are no roads for the hundreds of cars to drive on. We find a city bursting and ready for expansion, but with no place to go. And while infrastructure is overloaded, Röder’s work also reveals that Lagos is a city full of engineers. Everyone builds, tinkers, and welds, creating their own order out of chaos. In a complex culture, says Röder, “Chaos is not evil, it is simply the way things are.”

You can view the whole series of photographs at his website, here.

Further Reading

The skeleton in the closet

The novelist Nadifa Mohamed complicates Britain’s troubled, racist legal history through the personal tale of one otherwise insignificant person, a Somali immigrant to Cardiff in Wales.

Life to the sound of gunfire

Nigerians fleeing extremist violence at home take refuge across the border in Niger among an already fragile population. Together they proceed to carve out a way to live better lives for now.

Democraticizing money

Cameroonian economist Joseph Tchundjang Pouemi died in 1984, either poisoned or by suicide. His ideas about the international monetary system and the CFA franc are worth revisiting.