If you haven’t seen this documentary (trailer above) on South African artist William Kentridge yet, take your time for it. William Kentridge: Anything is Possible is the first in a series of Art21-produced features focusing on contemporary art and artists. Kentridge, as always, captures the essence of recent and less recent times: “This extraordinary nonsense hierarchy (we had in South Africa) made one understand the absurd not as a peripheral mistake at the edge of a society but as a central point of construction, so that the absurd for me is always a species of realism rather than a species of joke or fun.”

You can watch the documentary in its entirety here.

– Tom Devriendt

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.