You probably know Belgian photographer Cedric Gerbehaye from his portrait of Laurent Nkunda. That 2007 picture was part of a broader story on Eastern Congo. Gerbehaye is a frequent visitor to the Congo. Many of the resulting pictures were collected and published in Congo in Limbo, including his most recent story on the Katanga mines. You’ll find the full Katanga copperbelt series here.
Here and above are some highlights
Inside the crumbling walls of Nigeria’s Old Secretariat, echoes of colonial governance and national awakening meet the silence of decay.
In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.
Far-right and pro-Israel actors are recasting Nigeria’s insecurity as sectarian extermination to distract from Palestine.
Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.
Assimi Goïta’s regime has built its legitimacy on defiance of the West and promises of renewal. But with increasing internal pressure, a turn to Moscow risks deepened dependency.
When Cabo Verde qualified for the World Cup, celebrations erupted from Praia to Rotterdam. The Blue Sharks’ rise shows how a scattered people built a global team rooted in home.
As Morocco prepares to host AFCON and the 2030 World Cup, a decentralized youth movement is demanding real investment in public services over sporting spectacle.
In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.
At our first workshop from our festival in Nairobi, The Elephant’s Joe Kobuthi, reflected on a year since #EndFinanceBill.
A reflection on traveling through the globalized walled city.
The passing of the pioneering South African writer and critic leaves behind a body of work that challenged racial mythologies, unsettled identity politics, and grounded transhistorical vision in the particulars of place.
The writings of Edson Sithole, Zimbabwe’s forgotten nationalist thinker, reveal both the promise and perils of pan-African politics in the independence era.
Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.
Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.
The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.
MADEYOULOOK’s ‘Dinokana’ debuted at the 2024 Venice Biennale. Now back home, Molemo Moiloa and Nare Mokgotho reflect on sound, place, and why their work is always meant for South African audiences first.
The outcome of the October 12 elections may make or break the resource-rich Central African nation.
From Sudan to Toronto, a revolutionary poem echoes across time, showing how people’s movements confront militarism, mining, and imperial order with the enduring force of collective struggle.
South Africa’s visual culture reveals that its racial categories were never fixed, while the history of indenture complicates the terms of solidarity and exclusion.
What does it mean to imagine a city with no fixed essence, only shifting histories and unstable forms of power?
