
In Searching for Sugar Man, Rodriguez the man feels more like an awkward prop in a story of white redemption rather than the star of his own movie.

In Searching for Sugar Man, Rodriguez the man feels more like an awkward prop in a story of white redemption rather than the star of his own movie.

The history of popular music in South Africa continues to interest documentary filmmakers. Of recent offerings two films stand out: “Punk in Africa,” about the history of the genre in Southern Africa since the 1970s (word is it’s a bit unfocused), and Daniel Yon’s beautiful film about jazz singer Sathima Benjamin, “Sathima’s Windsong.” I’ve just gotten […]
The media blog that is not about famine, Bono, or Barack Obama. Contributors are: Sean Jacobs (he started AIAC), Daniel Magaziner, Neelika Jayawardane, Boima Tucker, Tom Devriendt, Elliot Ross, Basia Lewandowska Cummings, Sophia Azeb, Dan Moshenberg, Brett Davidson, Orlando Reade, Jonathan Faull, Caitlin Chandler, Gregory Mann, Dylan Valley, Emily Wood, Marissa Moorman, Lily Saint, Mikko Kapanen, Wills Glasspiegel, Melissa Levin, Loren Lynch, Olufemi Terry, Megan Eardley, Hinda Talhaoui, 'kola, Davy Lane, Siddhartha Mitter, Johan Palme, Steffan Horowitz, Justin Scott, Dennis Laumann, Kweli Jaoko, Jumoke Verissimo, Zachary Rosen, Shamira Muhammad, Maria Ximena Plaza, T.O. Molefe, Ts'eliso Monaheng, Maria Hengeveld, Corinna Jentzsch, Nicholas Barber, Serginho Roosblad, Roxsanne Dyssell, Cheta Nwanze, Sarah El-Shaarawi, Jimmy Kainja, Claudio Silva and Jacques Enaudeau. Pre-August 2009 posts are archived here.