Tunde Olaniran
[vimeo=http://vimeo.com/10046418 w=500&h=281]
Tunde Olaniran is hip hop. Tunde Olaniran is the son of an American mother and a Nigerian father. Tunde Olaniran lives in Flint, Michigan. This is the video for his latest single ‘Cobra.’
Further Reading
Mosque diplomacy
In North Africa, religion is being used to spread political and cultural influence.
A sojourn in Sharjah
Reflections on the 16th edition of the Sharjah Art Foundation’s annual March meeting.
Between woman and nation
The government of the youngest president in Senegal’s history already seems to embody retrograde views about women.
Untangling the roots of Empire
The coterie of billionaires and foreign aid agencies intent on transforming African agriculture have mostly upturned people’s lives.
Writing while black
The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.
The aesthetics of nostalgia
Looking back at 20 years of research-based practice in Ghana, Jesse Weaver Shipley’s latest exhibition blurs the distinction between political rebels and artists.
Seria a guerra em Gaza um genocídio?
Da Namíbia até a Armênia, e de Ruanda à Bósnia, os perpetradores de assassinato em massa afirmam estar agindo em legítima defesa.
Is the war on Gaza a genocide?
From Namibia to Armenia, and from Rwanda to Bosnia, the perpetrators of mass murder said they were acting in self-defense.
The Mogadishu analogy
In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.
The two religions of Tanzania
Dar Es Salaam’s Kariakoo derby is fast becoming the continent’s biggest.
Born free?
South Africa, thirty-years after 1994.
Buying back our things
One man’s mission to reclaim Somali material culture.
Kwame Nkrumah today
New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.
More than just victims
To see Kaouther Ben Hania’s latest film as condoning the West’s orientalism is to to ignore the agency of the women in it.
Is the UN system still relevant?
We are failing every day to force a ceasefire and stop the genocide. But failure is not an option. We must refocus this moment.
When we say apartheid
We need to envisage a future where colonial privileges between the Jordan River and the Mediterranean sea are completely dismantled.
No scrubs
Why are Kenya’s doctor’s on strike?
What are academic boycotts for?
Far from democratic institutions, a study of Israeli universities reveals that they are, in fact, directly and actively complicit in Israeli apartheid and racial rule.
Between M23 and electric vehicles
With regional and global powers keen to take advantage of the DRC’s mineral wealth, it is hard to see how things can get better for the country in the short and medium term.
Whose Biennale is it anyway?
The theme for this year’s Venice Biennale, the ‘olympics of the art world’ is ‘Foreigners Everywhere.’ But beyond representation, what are the barriers to participation?