The year of Elaine Salo

Elaine Salo, on the right, in conversation with Zackie Achmat, in Muizenberg, Cape Town, circa 2003. Photo: Sean Jacobs

It is very difficult to write or speak about Elaine Salo in the past tense.

I first met Elaine in the mid-1990s.  I’ve gone back and forth in my mind about how we met, but I can’t quite recall when and where. In retrospect I’m surprised we had not met earlier. As someone else wrote about Elaine: “It is only a little hyperbole to say that Elaine knew everyone and everyone knows her.”

We had both studied at the University of Cape Town, though she preceded me by several years. She was born in Kimberley in what is now the Northern Cape province, but for me she was so much a representative of Cape Town, the city of my birth. It was like we knew each other all along. The familiarity came from the cadences in her voice, her smatterings of Afrikaans, how she reminded me of my five sisters, or her research on Manenberg where one of my grandmothers briefly lived after being forcibly removed from Kirstenbosch below Table Mountain.

I still remember once, in the early 2000s, while I was still a graduate student, and tasked with recording a conversation between Elaine and the gay rights and AIDS activist Zackie Achmat, about sexual politics in Southern Africa. It was for the Cape Town arts and politics journal, Chimurenga. The interview happened at Zackie’s house in Muizenberg and was later published as “Black Gays and Mugabes.” I was supposed to interview Zackie and Elaine, but ended up mostly watching and listening as these two intellectuals sparred effortlessly, mixing humor, insight, history, cultural politics and solidarity.

It was a lesson in political engagement.

But I should have known: Elaine came from that generation of activists who had done the hard work of liberation, but now didn’t shy away from engaging head-on with the limitations and promises of the new South Africa.

An outstanding quality of Elaine was that she was unapologetic about the people and places where she was from, those she studied.

At the turn of the century, I moved away from South Africa to New York City, so I saw less of Elaine. When we did see each other however– at conferences mostly, or when I visited Cape Town — our conversations picked up where we had last left off. Elaine still had so many plans for research she wanted to do: on water politics, sanitation, the racial geography of Cape Town, the moral economy of Manenberg (the coloured township which was the subject of her doctoral research). She talked about books she wanted to edit, articles she wanted to write and conferences she still had to go to.

The last time I saw her was last January at an outdoors restaurant in Plumstead, a suburb to the south of Cape Town’s city center. We met for breakfast. Her husband Colin was there too, along with their daughter. They were visiting family. Elaine insisted that my then-10 year-old daughter–curious, a tween, bookworm, fidgety, bright, and anxious at all the unfamiliarity of the city–should meet hers. She thought that they would immediately recognize one another. Elaine was right.

I grew up in one of the dormitory townships of the Cape Flats and it is around that world — one where Elaine cut her teeth as an activist and later as an academic, that we connected the most: The politics, the hypocrisy of the city’s governing and middle classes, and the potential — hidden in plain sight — of Cape Town’s very poor black and coloured residents. Elaine’s work was a model of how to treat the people in that region with respect.

The historian Terri Barnes best characterized Elaine’s work on Cape Town: “Her passion was to clothe the experiences of women and men on the Cape Flats in the dignity they deserved. Not god’s stepchildren, not tattooed gangsters, not gap-toothed drunks on street corners, not child-women shouting at dirty urchins. No. People with histories, communities and choices who deserved respect and careful theorizing.”

One of my favorite memories of Elaine is from the early 2000’s in Cape Town. At the time I had the habit of lamenting what the city had lost with segregation — in terms of the rich cultural life of the world around the mountain — and which it could never recover again. Things that my father would talk about. I felt that I could never adequately capture that world or experience it. Then Elaine invited me and my now wife, Jessica, to a party at her her house in Woodstock. As we walked through the door and settled in, a jazz band was jamming in the middle of the living room. I think Colin was on guitar, and the late Vincent Kolbe on piano. I turned to Jessica and didn’t have to say anything. This is what I had been talking about.

A few years ago, I posted a picture on social media of my dad and myself as a child at his work. He was a gardener in a rich, white suburb in Cape Town for 40 years, a quick walk from where he was born in Newlands and grew up in Kirstenbosch. He worked for a white Supreme Court Judge. I wrote about how as a child I accompanied my dad when he would go to work on Saturdays and how I didn’t do much work, but ran around the large estate chasing tennis balls, or read from the large pile of newspapers and magazines in the servant’s quarters or badgered his boss with questions.

One friend suggested I write about that time while a colleague in New York City wondered what my students would make of it.

Elaine wrote to me: “My hope for you is that you can make a thousand flowers bloom just like your dad. The beauty of gardeners like musicians is that they share the fruits of their labor freely … Sight and sound cannot be contained.”

That is how I remember her.

* This is an edited version of remarks first made at a memorial for Elaine Salo this summer in Newark, Delaware. Elaine died on August 13, 2016. She was 54.

Sean Jacobs

Sean Jacobs is the Founder and Editor of Africa is a Country. He is on faculty of The New School in New York.

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