A break from the routine of the work week, a weekend music break for you all to enjoy this May Day!

 

1) Rest in peace Papa Wemba 2) Netherlands-based Cape Verdean singer Gery Mendes asks if our world is really ready for positive change, is it? 3) I’m in the UK right now, so I had to share Stormzy’s latest. 4) London Global Hip Hop outfit Subculture Sage’s video for “Gold” stars two Zimbabwean gold miners. 5) There’s an H&M in Brixton now — M.I.A. invites AIAC profile subject Dope Saint Jude along for her collaboration with the brand. 6) Sean Jacobs spotted this, trap rap video from Northern Nigeria. 7) I’ve noted Kahli Abdu as one to watch for awhile, and he did not disappoint with this banger! 8) The Mavin Records crew out of Nigeria dropped a new one this week. 9) I don’t know much about them, but Chloe and Halle are interesting. 10) And finally, a new Azaelia Banks video just for the hell of it.

Happy weekend!

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.