The Fader has been putting up a series of posts from Johannesburg (Obey You Collective: South Africa) that focuses on “artists, trail-blazers, and bright young talents from South Africa.” (The series is paid for by soft drink company Coco Cola.) Much of it seems to be filmed around the part of the city marketed as Maboneng. In the latest instalment, they published an interview with Tarryn Alberts, part of dance crew, V.I.N.T.A.G.E. (If you remember, Zach Rosen interviewed them for AIAC, here; word is Alberts has left V.I.N.T.A.G.E., btw). Anyway, the interview includes this illuminating passage about the Catch 22 for young black people after Apartheid, in which expectations come up against social reality (Alberts leans more to expectation): 

A lot of kids are pushing their own brands, saying, “This is what I stand for.” It’s about being free with who you are, pushing your dreams and chasing goals. A lot of children finish school and they actually feel like, “I can do that thing I’ve always wanted to do.” You have so many kids that are from the ‘born free’ generation, like they weren’t born in apartheid. They have the opportunity to go and study after school, something my parents couldn’t do. They have the opportunity now to earn a living doing promotions, making t-shirts and selling them, doing whatever. I think that’s something that has become big in the last five years — young people doing something for themselves.

Source.

Further Reading

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.