Rounding up some music videos we’ve been tweeting over the past weeks, this is your Friday Music Break. Produced by the hardest working rapper in Kinshasa, Lexxus (that’s him in the video, scouting for new talent in Kinshasa’s streets), ‘Bo tia K’ is the first outtake from Bawuta Kin’s upcoming album Ba Wu. Great video too:

Next, smooth Kenyan rap from Muthoni The Drummer Queen in ‘Feelin’ it’

London duo The Busy Twist recorded this music video in Accra:

‘Bravo Papa’ (now with English subtitles) makes us look forward to South African artist Jaak’s Galant album:

Aline Frazão plays an accoustic version of ‘Cacimbo’ (that’s Angola’s dry season):

After a long hiatus, South African TKZee artist Tokollo Tshabalala “Magesh” has recorded new kwaito tunes:

Gorgeous Sudanese a capella by Alsarah and her sister Nahid:

I haven’t counted the times ‘Africa’ gets mentioned in this mishmash video for Madlib’s ‘Hunting Theme’ and ‘Yafeu’ (both taken off his 3rd Medicine Show), but it’s a lot.

Maryland’s Kendall Elijah belatedly got a video out for his track ‘The Wild’ (from last year):

http://www.youtube.com/watch?v=dBQUzdQN51

And finally, Donal Scannell created this music video for Sahrawi singer Aziza Brahim’s ‘The Earth Sheds Tears’ in which she remembers those who fought to liberate those parts of the Western Sahara which remain outside of Moroccan control. Aziza Brahim resides in Spain these days:

Further Reading

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.