Since Friday’s Special was reserved to Sierra Leone — and for archival purposes — here’s your Sunday Bonus. First up, from the same label that brought us Baloji, Konono N°1 and Staff Benda Billili comes a new recording by Jagwa Music: ‘Live in the Streets of Dar’ (es Salaam, Tanzania).

‘Night in Tunisia’, the opening track from Hugh Masekela’s 1974 LP ‘I am not Afraid’:

Fatoumata Diawara’s ‘Kèlè’:

YaoBobby’s deceptively naïve ‘Mémoire d’un continent’:

Blood Orange’s Champagne Coast went viral this week. We can see why:

The Very Best return after a long silence with ‘Yoshua Alikuti’:

And an interesting music video filming singer Jimetta Rosa at her actual job:

Further Reading

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.