Music Break. Bonus Friday Edition, N°0

Last week we brought you the serious side of Burkina rapper Mokobe.  In this hilarious video he makes proper use of a beat made famous by 50 Cent:

Belgian hipsters: Magic Mirror’s “Show man”:

Cities Aviv’s “Araw.” The guest rapper is Royal T. Yeh, they’re hipsters too.

What’s it with Nigerians and derivative R&B? This is 2Face, basically the national face of the genre. (I suppose there are rewards: you have to endure American TV chat show hosts.)

[youtube=http://www.youtube.com/watch?v=9GT-CiEuw94&600&h=367]

Finally, if you still don’t know what’s Azonto about:

H/T:

Further Reading

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.