Divided by the word
Why languages, particularly black African languages, have become a battleground in postapartheid power and identity politics in South Africa.
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Karen Chalamilla is a culture writer and researcher based in Dar es Salaam.
Why languages, particularly black African languages, have become a battleground in postapartheid power and identity politics in South Africa.
Before the Soweto Uprising in 1976, students and workers organized one of the largest strike actions in South Africa’s history.
What happens to the contemporary explosion of moral panics, urban legends, and other paranoid narratives when they manifest in a place like South Africa?
This month on Africa Is a Country Radio, we continue our theme of sports and music, and look at the history of Olympic success in athletics of various African countries.
The CFA franc, pegged to a strong Euro, penalizes African economies as well as regional trade and facilitates the development of Western multinationals.
Must indigenous knowledge be science to be valid? Philosopher Paulin J. Hountondji shows that we must ask why Africa is scientifically and technologically dependent in the first place.
The ANC and Nelson Mandela’s turn to violent anticolonial struggle in the early 1960s, is the subject of a new book by historian of South Africa, Paul Landau.
From Operation Fiela to Operation Dudula, xenophobia in South Africa is bent on protecting the interests of politicians.
The historian Premesh Lalu’s film about an apartheid-era cinema on the Cape Flats also offers a glimpse of a future beyond racism for South Africa.
Neoliberal policy in Sri Lanka has triggered a massive socioeconomic crisis. The way out is not through the IMF, but through redistributing wealth.
To address a difficult and traumatic subject like Ebola, the writer Véronique Tadjo turned to oral literature for inspiration.
Beyond the social media firestorm over journalist Trish Lorenz’s book about #EndSARS, it is worth engaging in the debate about wider representation in movement building and protest.
The film ‘Congo Oyé,’ pulled from the archives of a New York City library a decade ago, explores different interpretations of revolution, Black sovereignty and liberation.
In the Democratic Republic of the Congo conflict, as well as peacemaking, have become ends in themselves, while the fighting is carried forward by its own momentum.
For most outsiders, modern Ethiopian cinema means Haile Gerima and Salem Mekuria. But others, in addition to these, made its rich cinema history.
The novelist Nadifa Mohamed complicates Britain’s troubled, racist legal history through the personal tale of one otherwise insignificant person, a Somali immigrant to Cardiff in Wales.