AfricaIs aCountry

Nairobi in April

Africa Is a Country Podcast
African Five-a-Side Podcast

Nairobi in April

By
Sean Jacobs

Writer Mike Pflanz and photographer Brendan Bannon’s new site Daily Dispatches: Nairobi “… is an innovative exploration through photojournalism of a fast-evolving 21st-century African city, unfolding day by day in real time.” Pflanz, a Brit, and Bannon, an American, “will spend each day of April searching out stories from all corners of Kenya’s capital, stories which will paint a compelling, informative and surprising portrait of the city, and the lives lived by those who call it home. Each day, we will send our images and reports back to a series of US universities and colleges we’re working with, who will in turn print them and mount them in an exhibition which grows day by day.”

These are images from their day at the races.


Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.