Surely photographs are presented to convey a message, and if there’s anything I remember from my introductory photo classes as a youth, is that a photograph is all about the “frame.”  In a post called “How to Photograph Africa“, John Edwin Mason, a photographer and history professor at the University of Virginia, plays with the framing of a photo essay on Africa to question the types of messages that are continually portrayed about the continent.   Mason criticizes Getty Image grant winner Stefano de Luigi’s photo series “This is Africa” by offering the essay up as an example of satire, in the vein of Binyanvanga Wainaina’s “How to write about Africa,” and shows that the way the images are presented reinforces negative stereotypes.

I have to admit Mason had me fooled at first, so if there’s still any question: Stefano de Luigi’s photographs aren’t meant to be a satire, they’re serious, but John Mason’s re-framing is satire, and a brilliant critique of the photo essay!

For more examples of the re-framing of images from Africa in photography, see this post at the Africa.Visual_Media Blog.

Further Reading

Fela enshrined

Fela Kuti’s friend, Carlos Moore, the black Cuban emigre writer, is the subject of a film about their at times difficult relationship. The result is complex.