Whose Biennale is it anyway?
The theme for this year’s Venice Biennale, the ‘olympics of the art world’ is ‘Foreigners Everywhere.’ But beyond representation, what are the barriers to participation?
The theme for this year’s Venice Biennale, the ‘olympics of the art world’ is ‘Foreigners Everywhere.’ But beyond representation, what are the barriers to participation?
The 2022 Venice Biennale shows that despite the lack of investment from African nations or the occasional hijacking by mercenary curators, African artists are finding ways to be seen.
At the world’s most prestigious art exhibition, all is not well when it comes to relative newcomers from the African continent.
Okwui Enwezor’s “All the World's Futures” is a radical attempt at shifting the paradigms of biennale models to create a more democratic society of artists and exhibition spaces.
How an Italian hotelier came to represent Kenya at the Venice Biennale.
A conversation with the curators of the Angolan Pavilion at the 2013 Venice Biennale.
It is hard to find critics asking what Angolan artist Edson Chagas’s work does, the context through which it was produced, or the social conditions it draws attention to.
An interview with Abdellah Karroum is the artistic director of the Biennale Regard Benin 2012, which premise is “Inventing the World: the Artist as Citizen.”
Film Review by Elliot Ross* Making a film about an artist whose work is as beautiful