Africa and contemporary art

I am no contemporary art expert. Sometimes one has to start with a disclaimer. The term and whatever definition whoever gives to it have been on that awkward zone where I have felt that I should be equipped with more specific knowledge to say even something quite generic about it. Also, my intuitive and somewhat outdated direct connection between the idea of contemporary and fine art has always had this self-manufactured inner conflict with my identity relating to counter culture. Even if the conflict wouldn’t really exist, I have imagined it. I think I have been quite elitist in avoiding certain kinds of art, so I found myself rethinking a few things as I was going to see ARS 11 exhibition in the Kiasma museum of contemporary art in Helsinki, Finland. This year the tag line promised that the exhibition “changes your perception of Africa and contemporary art”.

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Rainer Elstermanns’ “Photo Studio”

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The German photographer, Rainer Elstermanns, imagined an old photo studio set in rural Kenya in his studio in Berlin. He dressed models in period costumes.  The result is a 17-minute film and a series of 40 recreations.  Elstermann writes that he was inspired by the work of the great African photographers and artists, Samuel Fosso and Malick Sidibe, as well as the American photographer, Irving Penn.

The result was exhibited in The Netherlands until earlier this week. (I am assuming it will come to the US soon.)

Information and more photographs: Here, here and here.

Sean Jacobs

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