The New South Africa

UPDATED: The blogs have rightly been outraged at a white couple, “Dave and Chantal,” who decided on a “colonial” (and Apartheid) theme at their wedding in South Africa complete with an all-black waiter staff in red fezes. Like it was a scene out of the film “Out of Africa.” (Turns out the happy couple asked for a recreation of the film. Serious.) The wedding was held in Mpumalanga province on the border with Mozambique. The wedding organizers got the props–which included “antique travel chests, clocks, globes and binoculars and an awesome Zebra skin”–from a “prop house” in the capital Pretoria. This kind of thing which is apparently the in-thing (i.e. sold as “tradition” and “nostalgia” by events companies and venues), would have passed unnoticed, but for the internets. The couple or their photographer felt pleased enough to post the pictures on a photography site. Then it was spotted by the American blog Jezebel (part of the Gawker empire). Once it became viral (and the couple their photographer and wedding planner were ridiculed) some of the photos (i.e. those with blacks in subservient positions or white people hamming it up in pith helmets) have been taken down. Here’s a link to the “cleaned-up” cache-page since the page has been deleted. Luckily for us screen shots of the pictures exist. And the venue still has pictures of guests in pith helmets play acting shoot outs on its website. (see some of the pictures below).

Of course, not surprisingly, some white South Africans are defending the couple. Although one commenter to the Jezebel post did write the truth: “Most white folks’ weddings in [South Africa] are colonial not by design, but by default.”

Which is why we’re surprised so few are asking–as RK points out in a comment on this post below–what makes venues like the Cow Shed (where the wedding was held and events company Pollination, think it is okay to throw colonial/Apartheid throwback weddings for white South African and European couples. The Cow Shed has since issued a lame press statement to still defend its decision to host the party.

At least they can’t blame Julius Malema for this.

Above and below are some of the offensive photos. Then following the photos, at the bottom end of this post, see commentary from Neelika.

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Hélène Amouzou

Hélène Amouzou was born in Togo but has been living and working in Brussels for a while now. Some years ago, she took up photography. The results are self-portraits taken “mostly in her attic”.

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THEY JUST STOOD THERE WITH NO CLOTHES ON

hostels

It’s okay to show photographs of black men in their underwear with the implication that they are criminal. That they live in a single sex men’s hostel built under Apartheid for black migrant workers, has a much to do with it. No identification or context necessary in the caption.

We normally associate this with journalists and publications from Europe and North America, but this time–surprise–it is a South African newspaper.

Picture series in “The Star”.

[Thanks to Herman Wasserman to pointing me towards it]

BEATING UP POLITICIANS

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OK My Club, an invention of Chinese artist Xu Zhen exists to  “beat up” political figures such as US President George W. Bush, North Korean leader Kim Jong Il and UN Secretary General Kofi Annan.  The work is a mix of photography, trickery and performance.  The title of the work above is “www.okmyclub.com fought Annan in NYC, US Feb. 2005.”

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