Rebuilding a destroyed garden
South African photographer Lindokuhle Sobekwa returns to places of pain and beauty to reinterpret the landscape and, in turn, discover something new about himself.
South African photographer Lindokuhle Sobekwa returns to places of pain and beauty to reinterpret the landscape and, in turn, discover something new about himself.
Peter Magubane was one of South Africa’s foremost resistance photojournalists, exposing the world to the cruel spectacle of the apartheid regime.
How a new underground club in Nairobi offers Kenyans respite from the harshness of everyday life.
Mabel Cetu is considered South Africa's first Black woman photojournalist and documented the everyday lives of Black communities in the 1950s.
A photo essay on Masjid Tajul Huda, a mostly West African mosque in the Bronx, New York.
The founders of Tarikhona Hona aim to archive the lives of the LGBTQI+ community in Morocco.
The Mathare Social Justice Centre mounts a photography exhibition on police brutality and extrajudicial killings in Kenya’s capital.
Fashion creates spectacle. What can we learn from the images from Guinea's recent coup d’état?
What is one particular place when represented photographically?
White South Africans rarely look in the proverbial mirror to reflect on where they come from and how those histories shape their current realities.
The imperial legacy of the camera and the narrative power of words and images.
There’s a certain humanity in the work of late South African photographer Santu Mofokeng in how he approached his subjects and the politics of representation.
Homage to Santu Mofokeng, photographer of quotidian black life in South Africa.
One of the few books about photography to come out of the continent and where the majority of contributors are African and work on the continent.
Riason Naidoo talks to the curator and editor of a book and traveling exhibition about the work of the legendary, 90 year-old Ghanaian photographer.
A trove of unprinted photographs and other media from the Idi Amin years in Uganda is now available for public view giving us insight to the concerns of the regime and realities of living under his rule.
The photo series Another Way Home captures how migration effects families, communities and individuals—those who travel and those who stay behind.
Ozier Muhammad captures, for black American audiences, the expressive possibilities of Africa's liberation struggles.
Photography has a long history in Ethiopia. Today a team of archivers is using it to collect the memories of Ethiopians between the 1940s and 1980s.