Outside the field of African art
Asking whether white people should curate African art anymore, may be outdated. Instead we should ask: what is African art now and does the category matter anymore?
Asking whether white people should curate African art anymore, may be outdated. Instead we should ask: what is African art now and does the category matter anymore?
For French President, Emmanuel Macron, recruiting various African intellectuals turned out to be a key asset in trying to shift the Françafrique narrative, while simultaneously protecting French interests on the continent.
The author of 'Decolonize Museums' assembles a list of essential reading on the past, present and future of museums.
Two books, by art historian Bénédicte Savoy and journalist Barnaby Phillips respectively, detail how we got to this point in the restitution of African heritage.
There can no longer be false justifications for holding Benin Bronzes, and other pilfered materials, in museums outside of Africa.
The violence of keeping Ethiopian manuscripts in Western institutions.
We all want to see Africa's heritage repatriated to the continent. But what happens after it returns?
The art world largely Isabel dos Santos’s husband despite him being caught up in large scale corruption.
Restitution and the responsibility of addressing Europe's colonial legacy - in this case Namibia - via artifacts left behind.
A visit to a museum in a French port city, brings up questions about how slavery is remembered.
It's time to return Africa's vinyl records.
How should Belgium's Africa Museum address its colonial past?
An overview of some of the problems and opportunities that the reopening of Belgium's infamous AfricaMuseum brings.
France no longer has an excuse to hold on to Senegal's cultural heritage. Senegal has a place for it.
The exhibition 'Goede Hoop: South Africa and the Netherlands from 1600,' in Amsterdam, is like making your way through a hall of mirrors.
Interview with curators Sylviane Diouf (Schomburg Center) and Joaneath Spicer (Walters Art Museum) about the African presence in Western and Asian art.
We must not forget the everyday lived realities and struggles in vanished neighborhoods.
The politics of selling African art mostly collected during colonial era to private collectors.
Just about this time last year, Uganda lost a priceless part of its cultural heritage when