The Relationship between Visual and Text

While we seem to spend an enormous amount of virtual space at AIAC critiquing the ways that Africa and Africans are represented, we do so because we believe that it is possible to subvert expectations, to create images that shatter myths and ideology and that make people think about why they are surprised by particular […]

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VICE and the “new journalism model”*

The business of journalism as we know is in trouble and there’s a scramble for a “new journalism model,” with VICE.com held up as the latest prototype (see here, here and here). I am not so sure VICE is the new journalism–it’s partnership with “old media” (CNN, HBO) is old fashioned, it mostly produces sponsored content (nothing new there), owns an advertising agency and makes nice with Rupert Murdoch. Of course, VICE’s style represents something fresh. With its diversity of topics and irreverence, it is a vast improvement on the talking heads of cable news. But, there is also much to dislike about Vice.

The politics of selling African art mostly collected during colonial era to private collectors (in the Netherlands)

Mami Wata Legba, voodoo sculpture (1973) from the Lomé region (Africa Collection Wereldmuseum Rotterdam)

The proposed sale of the Africa Collection at The World Museum in Rotterdam, the Netherlands has sparked some interesting debates in Dutch media lately. Unfortunately some important questions and issues around this sale are not being discussed. Since the Dutch government is cutting the arts and the culture budget heavily, the museum has planned to […]

Law & Order: America’s Star Mercenary protects Chinese investment in Africa

Remember when Law & Order: Criminal Intent did a two-hour season premier on Erik Prince’s anti-pirate private militia in Somalia? Prince (founder and frequent re-namer of the infamous mercenary company, Blackwater) became a celebrity by escalating and deepening armed conflicts. His intervention in Somalia was just as disturbing as it is anywhere else, but it […]

Is Mads Brügger a journalist?

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Even if you like Mads Brügger’s documentaries, chances are you hate him. The characters he plays in his “non-fiction films”—a Communist theater director in The Red Chapel and, more recently, a corrupt diamond smuggler in The Ambassador—are manipulative and brash, pushing his subjects into greater levels of absurdity and maybe even hurting people. But are […]

My favorite photographs N°4: Nana Kofi Acquah

Nana Kofi Acquah noisy school girls

My grandmother had a pub where wayfarers, fishermen, their wives, officers and anybody who had trouble or was looking for a little happiness would come, buy tots of the local gin, “akpeteshie” and start pouring their souls out. I would crawl under tables, eaves dropping and soaking it all in. When I got bored listening […]

The Verdict on Charles Taylor–Take 2

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Guest Post by Aaron Leaf “Liberians decry ‘mockery of justice’ in Charles Taylor verdict” is a piece by Geoffrey York in Canada’s Globe and Mail that portrays a country outraged by the result of Taylor’s trial. The fact that Charles Taylor is reviled in the West but loved in Liberia is a fun thing to report on. It hints at the idea that Liberians have […]

The verdict on Charles Taylor

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Guest Post by Mats Utas Yesterday the Special Court for Sierra Leone found Charles Taylor guilty of aiding the RUF during the Sierra Leonean Civil War. The court case that has taken five years is the last of a court that has previously sentenced 9 Sierra Leonean rebel and military leaders with long prison sentences. […]

Krumping Africa

Royal-Fam-Kings

American photographer David LaChapelle’s 2005 krump documentary, “Rize,” (trailer here) included a laughable section that invented a history of the dance genre among “traditional” Africans.* I guess since the dance originated and was popular among black teenagers and young adults in poor parts of Los Angeles, it had to have African origins. But not even […]

Film: “Imagining Emanuel”

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Leo Goldsmith and Rachael Rakes, film editors at Brooklyn Rail, write about the documentary film “Imagining Emanuel” (trailer above), which recently played at the Museum of Modern Art’s Documentary Fortnight in New York City:

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