It may be tempting to read Congolese-Belgian rapper Baloji’s music as a relatively straightforward exercise in “indigenizing” or localizing hip-hop, but the story of his transnational musical moorings — especially his ambivalence toward Congolese pop — complicates such an interpretation.
The media blog that is not about famine, Bono, or Barack Obama. Contributors are: Sean Jacobs (he started AIAC), Daniel Magaziner, Neelika Jayawardane, Boima Tucker, Tom Devriendt, Elliot Ross, Basia Lewandowska Cummings, Sophia Azeb, Dan Moshenberg, Brett Davidson, Orlando Reade, Jonathan Faull, Caitlin Chandler, Gregory Mann, Dylan Valley, Emily Wood, Marissa Moorman, Lily Saint, Mikko Kapanen, Wills Glasspiegel, Melissa Levin, Loren Lynch, Olufemi Terry, Megan Eardley, Hinda Talhaoui, 'kola, Davy Lane, Siddhartha Mitter, Johan Palme, Steffan Horowitz, Justin Scott, Dennis Laumann, Kweli Jaoko, Jumoke Verissimo, Zachary Rosen, Shamira Muhammad, Maria Ximena Plaza, T.O. Molefe, Ts'eliso Monaheng, Maria Hengeveld, Corinna Jentzsch, Nicholas Barber, Serginho Roosblad, Roxsanne Dyssell, Cheta Nwanze, Sarah El-Shaarawi, Jimmy Kainja, Claudio Silva and Jacques Enaudeau. Pre-August 2009 posts are archived here.
