Schoonmaker: When did you start to see work by African artists that you did respond to? Was that in New York? Mutu: In New York, ironically, you know, in the early ’90s. Richard Onyango, one of Kenya’s big painters, was one of the first shows I saw.
In Frelimo’s (Mozambique’s party in power since independence) official story of its liberation struggle and its socialist project after independence, many aspects get silenced. One among these are the re-education…..