A renewed narrative on the non-renewable: Romuald Hazoumé’s Cargoland

moncongo

Romuald Hazoumé’s third solo exhibition at The October Gallery, Cargoland, is a re-appropriated and extended title — a familiar technique for those who follow his work. A play on  ‘cargo’, which translates in West African French to mean “anything of weight and value that needs to be transported,” the Cargoland presented within the gallery space […]

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