Wednesday, September 26th, 2012
The American historian and curator Jon Soske has written about how it is now an art cliché that during the final decade of Apartheid, South African photographers embraced a social documentary mode that subordinated the image to the propagandistic needs of the moment.
McDonald’s Baobab Tree
29 Oct 2012 at 1:00 pm
The Fairtrade Façade
10 Dec 2012 at 6:00 am
