Music Break. YaoBobby ft. Fredy Massamba

There’s a fast growing collection of cross-over hip hop songs produced by Central and West African artists making a living in the diaspora (especially in French-speaking hotbeds like Marseilles, Paris or Brussels), lyrically reaching back to the countries they’ve left. This collaboration between Togolese artist YaoBobby (rapping in Mina) and the prolific Fredy Massamba (singing in Lingala) on ‘(R)Evolution’ is another example. (You recognize the shirts.)

Music Break. Badi

Remember Brussels artist Badi (BD Banx on the Héritage project or his Beasty Boys-styled video ‘Jump’)? He keeps a nice blog too.

‘The Invader’

The opening scene of Belgian filmmaker and artist Nicolas Provost’s new feature film, “The Invader,” set on one of the beaches of the Italian resort island Lampedusa, which has become a primary European entry point for undocumented African migrants into Europe. (Halfway into this video interview at the Venice film festival, Provost talks about why he opens the film with this scene — “I wanted it to be like a superficial commercial for Europe”). Here’s The Hollywood Reporter‘s review of the film which focuses on the travails of an African migrant in Brussels:

[Read more...]

Today I’ll eat for Belgium

Yes, some Europeans, specifically Belgians — who else but “a fine group of web designers, web developers, communication specialists, tech, boys and girls” — came up with this idea. So if someone asks you why you need another piece of cake, just say “I’m eating for Africa.” To help starving “people and children” in East Africa.

Get people to eat. Endless opportunities for creative people like you.

Music Break / Lokua Kanza

The music video for “Nakozonga” by Congolese musician Lokua Kanza.

The Restaurant Manager

If you missed this: Lilian Thuram, the former footballer who won a World Cup medal with France in 1998 and sometimes philosopher, was in Brussels last week to promote his anti-racism campaign. While having lunch at a restaurant, the staff there told him that the toilets were “reserved for clients.” The manager David Martin is quoted as saying it is all a “misunderstanding,” and “… we didn’t know he was a client and I admit I didn’t recognise him. There was no wilful discrimination.”

Martin has offered his apologies: “I also told him I would love to cook for him. But (Thuram) didn’t want to stay. I really regret I am being accused of racism. I grew up among Algerians in this neigborhood and I have two blacks and a Morrocan guy working in my kitchen.”

Source.

More here and here.

Music Break

Brussels rapper Brams aka L’Insatiable (born in Cameroon) has been working on some promising collaborations lately. This one, ‘Stop Look & Listen’, with wandering hip-hop artist Juba Zaki (hailing from Crown Heights, Brooklyn) being a case in point.

‘Making Rwanda a more tragic place than it needs to be’

Stephen Smith in The London Review of Books:

I am not arguing that we should all know everything there is to know about Rwanda. My point is that we don’t seem to want to know what happened in 1994, or what’s happening now. We’ve learned the wrong lesson from the organised massacre of 800,000 people, which we failed to prevent. Eager to pay off our moral debt, we’re blinded by guilt. The near total lack of media coverage of the ICTR [the International Criminal Tribunal for Rwanda in neighboring Tanzania] trials and findings suggests that we’re happy to waive our best chance of grasping the inner workings of the genocide. We clamour for international justice but the detailed proceedings of the tribunal don’t interest us. At the same time, the denial of freedom and rights under the previous regime in Rwanda impels us to shower [Paul] Kagame with leadership awards and aid money even as he denies them again. We are hypnotised by the 1994 genocide, and oblivious to the atrocities of a regime we regard as exemplary. Aid, we say, must be conditional on good governance – but post-genocide government is an exception. La Francophonie is at best ridiculous and at worst a vector of France’s influence, but the Commonwealth is honourable as it embraces a dictator who favours English over French. Democracy is a precondition of peace – but not in a post-genocidal state. Justice, truth and reconciliation heal – but not the wounds of exterminatory hatred. The invasion and plunder of eastern Congo are criminal – but not when they’re carried out by genocide survivors. Hutu power is bad, but Tutsi chauvinism is acceptable. We hold these opinions not because they’re right but because they put us on the right side. This makes Rwanda a more tragic place than it needs to be.

Music Break

I like this video for Sayon Bamba’s song ‘L’excisée’ (from her album Dougna). Born in Guinea she resides in Brussels these days. A message doesn’t come much clearer than this.

Bwana Kitoko

[Read more...]

Follow

Get every new post delivered to your Inbox.

Join 1,912 other followers