On January 17th, a group of local artists (Pitcho Womba Konga, Fredy Massamba, Badi Banx, Caroline, Kamanda, Lety, Jack, Karim, Christian, Malkia and myself) pulled off “the Action” in L’Horloge Du Sud, better known as the Afro-European cultural spot in the center of Brussels. The date was chosen carefully to launch the “Congolization” artistic movement while remembering the assassination of Patrice Lumumba (he had murdered by a conspiracy of the Belgian and American governments along with General Mobuto). Pitcho Womba Konga, myself and all our cultural partners wanted to promote more than ever spaces where artists related to the Congolese diaspora could freely tell their side of the story.
New York is an amazing city, especially from a hip-hop perspective. It’s one of the few places on earth where you can see that hip-hop is part of the culture, not just something that you watch on TV. But for me – doing music that is mostly in French and not in some Congolese language that sounds exotic for Western people – it’s a difficult market. I take everything that happens here like a plus one. I’m not supposed to be here.