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Performers play hand drums around a masked figure wearing an elaborate green feathered costume during a crowded cultural procession, as onlookers gather and take photographs outside a building.

Frames of reference

At the 61st Venice Biennale, the late Koyo Kouoh’s decolonial vision shaped a landmark exhibition, even as questions of representation, solidarity, and cultural authority continued to haunt the African pavilions.

Bus depot, University of the Witwatersrand.

Branches without roots

Across Africa, governments are elevating STEM education while sidelining the humanities. But science and technology are never neutral, and technical expertise alone cannot transform society.

Illustration of East Indian immigrants gathered outdoors on a cacao estate in Trinidad, with musicians, dancers, and seated families beneath trees in a rural landscape.

How to read postcolonial writing

The Granta controversy surrounding a Commonwealth Prize-winning story tells us less about AI than about the enduring metropolitan expectation that writing from the South should sound opaque, excessive, and primitive.