Friday Bonus Music Break

10 songs we’ve been listening to this week. First up — and fresh — Gaël Faye and Tumi (who needs no introduction):

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War and peace in Côte d’Ivoire


By the end of 2004, Côte d’Ivoire’s civil war had cooled to a simmer, but the country remained split, with a rebel-held north and a government-held south. What do these divisions mean to people on the move, late for christenings, doctor’s appointments, and dinners with friends? In an essay that will be published in the forthcoming issue of Transition, Siddhartha Mitter recalls a slow road trip to Korhogo:

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The future of Françafrique


“The face of the threat has changed,” a French military officer tells Jeune Afrique. “Our preoccupation is no longer to support the regimes.” The comment isn’t followed by a winking emoticon but Jeune Afrique did draw a map (link) of the French army presence in Africa today.* In 1960 France had around 30,000 soldiers on the continent. 50 years later, that number has been reduced to some 5,000. The map reminded me of the ‘Open letter to the future President of France’ Cameroonian author Patrice Nganang published in SlateAfrique last month. Here’s an excerpt:

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Friday Bonus Music Break

Your weekly #musicbreak roundup. Mokobe and Oumou Sangare pray for peace in Mali:

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Exhibition. Cape Town in France

Cécile Mella (remember her portraits of the Cape Town ad world) will be showing her photography series ‘Dreamland’ in Montpellier, France this month (at the Galerie Saint Ravy). Come through if you’re in the area.

Not the Caine Prize


Since 2004, Le Salon africain (part of the annual Geneva Book Fair) awards the Ahmadou Kourouma Prize to an ‘African oeuvre, essay or fiction that reflects the spirit of independence and creativity which is the heritage of [Ivorian novelist] Ahmadou Kourouma’. This year the Prize goes to Rwandan author Scholastique Mukasonga for her latest novel ‘Notre-Dame du Nil’. Of the past 8 winning books, not one is available in English: [Read more...]

Documentary–’I am Malawi’

‘I am Malawi’ is a short documentary by Geert Veuskens and Pieter de Vos. (Part 1 above, part 2 below.) Veuskens gave us some more details about their project:
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The adventures of Tintin in the Land of the Law


Guest Post by Jogchum Vrielink
“Tintin,” the brainchild of the late Belgian cartoonist Georges Remi (better known as Hergé) is experiencing new and exciting adventures these days. Not just in the cinema, but in Belgian courts as well. A Brussels court has rejected the suit of a Congolese student and a minority organization to obtain a ban on the comic book ‘Tintin in the Congo.’ The main conclusions about the case: One, despite this outcome, the reasoning of the court jeopardizes free speech. And two, as regards the applicants: offensive as the comic may be, their recourse to the law is both misdirected and counterproductive. [Read more...]

Sunday Bonus Music Break

Since Friday’s Special was reserved to Sierra Leone — and for archival purposes — here’s your Sunday Bonus. First up, above, from the same label that brought us Baloji, Konono N°1 and Staff Benda Billili comes a new recording by Jagwa Music: ‘Live in the Streets of Dar’ (es Salaam, Tanzania). [Read more...]

Parisian Africa: The artistic intersections of the Métropole


Guest Post by Lara N. Dotson-Renta
Paris has always been renowned for its culture and support of the arts. Yet, as France has grown into an ever more pluralistic society, the traditional image of what constitutes art in France must evolve as well. Younger generations of artists, many immigrants of African origin, are now reconfiguring the arts in France on their own terms. Their artistic production embodies experiences of travel and adaptation via the integration of the cultures and traditions of their respective countries of origins along with aesthetic and quotidian experiences that reflect daily life in France. Particularly in the realm of music and film, the blending of African tradition with French popular culture and youth genres has fostered a vibrant arts scene that, while initially seen as of/from the margins of both society and the arts scene, is actually renewing ‘mainstream’ culture in dramatic ways. You just have to scan the pop music featured in Hinda Talhaoui’s Paris is a Continent Series on AIAC. One proponent of this new artistic vision is Alain Kasanda (Apkass), a Franco-Congolese musician, spoken word artist, and founder of the O’rigines Foundation and the Ghett’Out Francophone Film Festival. I interviewed Alain at the Trinity College International Hip-Hop Festival held in Hartford, CT, in March earlier this year. [Read more...]

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