10 songs we’ve been listening to this week. First up — and fresh — Gaël Faye and Tumi (who needs no introduction):
10 songs we’ve been listening to this week. First up — and fresh — Gaël Faye and Tumi (who needs no introduction):

By the end of 2004, Côte d’Ivoire’s civil war had cooled to a simmer, but the country remained split, with a rebel-held north and a government-held south. What do these divisions mean to people on the move, late for christenings, doctor’s appointments, and dinners with friends? In an essay that will be published in the forthcoming issue of Transition, Siddhartha Mitter recalls a slow road trip to Korhogo:
“The face of the threat has changed,” a French military officer tells Jeune Afrique. “Our preoccupation is no longer to support the regimes.” The comment isn’t followed by a winking emoticon but Jeune Afrique did draw a map (link) of the French army presence in Africa today.* In 1960 France had around 30,000 soldiers on the continent. 50 years later, that number has been reduced to some 5,000. The map reminded me of the ‘Open letter to the future President of France’ Cameroonian author Patrice Nganang published in SlateAfrique last month. Here’s an excerpt:
Your weekly #musicbreak roundup. Mokobe and Oumou Sangare pray for peace in Mali:
Cécile Mella (remember her portraits of the Cape Town ad world) will be showing her photography series ‘Dreamland’ in Montpellier, France this month (at the Galerie Saint Ravy). Come through if you’re in the area.

Since 2004, Le Salon africain (part of the annual Geneva Book Fair) awards the Ahmadou Kourouma Prize to an ‘African oeuvre, essay or fiction that reflects the spirit of independence and creativity which is the heritage of [Ivorian novelist] Ahmadou Kourouma’. This year the Prize goes to Rwandan author Scholastique Mukasonga for her latest novel ‘Notre-Dame du Nil’. Of the past 8 winning books, not one is available in English: [Read more...]
‘I am Malawi’ is a short documentary by Geert Veuskens and Pieter de Vos. (Part 1 above, part 2 below.) Veuskens gave us some more details about their project:
[Read more...]

Guest Post by Jogchum Vrielink
“Tintin,” the brainchild of the late Belgian cartoonist Georges Remi (better known as Hergé) is experiencing new and exciting adventures these days. Not just in the cinema, but in Belgian courts as well. A Brussels court has rejected the suit of a Congolese student and a minority organization to obtain a ban on the comic book ‘Tintin in the Congo.’ The main conclusions about the case: One, despite this outcome, the reasoning of the court jeopardizes free speech. And two, as regards the applicants: offensive as the comic may be, their recourse to the law is both misdirected and counterproductive. [Read more...]
Since Friday’s Special was reserved to Sierra Leone — and for archival purposes — here’s your Sunday Bonus. First up, above, from the same label that brought us Baloji, Konono N°1 and Staff Benda Billili comes a new recording by Jagwa Music: ‘Live in the Streets of Dar’ (es Salaam, Tanzania). [Read more...]

Guest Post by Lara N. Dotson-Renta
Paris has always been renowned for its culture and support of the arts. Yet, as France has grown into an ever more pluralistic society, the traditional image of what constitutes art in France must evolve as well. Younger generations of artists, many immigrants of African origin, are now reconfiguring the arts in France on their own terms. Their artistic production embodies experiences of travel and adaptation via the integration of the cultures and traditions of their respective countries of origins along with aesthetic and quotidian experiences that reflect daily life in France. Particularly in the realm of music and film, the blending of African tradition with French popular culture and youth genres has fostered a vibrant arts scene that, while initially seen as of/from the margins of both society and the arts scene, is actually renewing ‘mainstream’ culture in dramatic ways. You just have to scan the pop music featured in Hinda Talhaoui’s Paris is a Continent Series on AIAC. One proponent of this new artistic vision is Alain Kasanda (Apkass), a Franco-Congolese musician, spoken word artist, and founder of the O’rigines Foundation and the Ghett’Out Francophone Film Festival. I interviewed Alain at the Trinity College International Hip-Hop Festival held in Hartford, CT, in March earlier this year. [Read more...]
The media blog that is not about famine, Bono, or Barack Obama. Contributors are: Sean Jacobs (he started AIAC), Brett Davidson, Gregory Mann, Will Glass, Neelika Jayawardane, Kathryn Mathers, Marissa Moorman, Lily Saint, Melissa Levin, Dan Moshenberg; Caitlin L. Chandler; Dylan Valley; Abdourahman Waberi; Boima Tucker, Anni Lyngskaer, Sophia Azeb, Tom Devriendt, Loren Lynch, Basia Lewandowska Cummings, Elliot Ross, Orlando Reade and Megan Eardley; Hinda Talhaoui; ‘kola (Bukola Jejeloye); and Mikko Kapanen. Pre-August 2009 posts are archived here.