Diplo in the dock

Chief Boima (government name: Boima Tucker; and AIAC collective member) was invited to OPEN ARTI in Milan recently to talk about art and politics and to DJ. In the video of the event (above), Boima is joined by fellow DJ, Venus X (profiled here in The New York Times). AIAC gets some shout-outs. A lot of things get referenced: music and race, how we listen to music, Shakira, cumbia, hard style, LMFAO, David Guerra, Rihanna, etcetera. But the elephant in the room is Diplo, the famous DJ and tastemaker. It’s Venus who speaks frankly, and openly, about her run-ins with Diplo (he attacked her on Twitter after she objected to him recording her set and then bringing out a mixtape). Boima discussed the implications of the Venus-Diplo feud in this AIAC post. (At the time Diplo felt compelled to comment on the post; just scroll down.) In the video, Boima also gets to talk about that meeting with Diplo set up by Eddie ‘Stats’ Houghton (of Okayplayer/Large Up) in the wake of our post. This new video–given the viral quality of the web–will sure ignite this debate again.

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Acoustic Guitar Break

We thought it would be nice to compile a Bonus Music Break centered on acoustic guitar music. First up is Toronto-based Ghanaian Kae Sun with “Lion on a Leash”:

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The ‘passing’ of Ernest Cole


Information on famed South African photographer Ernest Cole’s decision to ‘pass’ from ‘African’  to ‘coloured’ in Apartheid South Africa’s kafkaesque “race classification system” is not readily available beyond the ready-made theories and rationalizations repeated in museum catalogues or on websites. From those sources we get glimpses of his anxiety or the stress the decision brought on his family in short scenes from the only documentary film on Cole’s life, that by the photographer Jürgen Schadeberg. But even then, Schadeberg’s film neatly sidesteps the issue of passing by not probing Cole’s motives. Like with play-whites (coloureds who passed for whites), we won’t know how many ‘play-coloureds’ there were. What the writer Zoe Wicomb has said of play-whites applies: “We don’t even know how many of them there are. There’s no discourse, nothing in the library, because officially they don’t exist [anymore].” [Read more...]

The Verdict on Charles Taylor–Take 2


Guest Post by Aaron Leaf
“Liberians decry ‘mockery of justice’ in Charles Taylor verdict” is a piece by Geoffrey York in Canada’s Globe and Mail that portrays a country outraged by the result of Taylor’s trial. The fact that Charles Taylor is reviled in the West but loved in Liberia is a fun thing to report on. It hints at the idea that Liberians have a very different world view, a mystical one where power is celebrated for its own sake, except it’s not really true.

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The verdict on Charles Taylor


Guest Post by Mats Utas
Yesterday the Special Court for Sierra Leone found Charles Taylor guilty of aiding the RUF during the Sierra Leonean Civil War. The court case that has taken five years is the last of a court that has previously sentenced 9 Sierra Leonean rebel and military leaders with long prison sentences. Taylor has 14 days to appeal and his sentence should be given on May 30. Not too long ago I was in a Monrovian bar owned by a friend of mine. I complained about a drink where they used American ginger beer instead of making their own “local” version. Local ginger beer is a sweet, nice and affable drink compared to its unpleasant American brother. Nothing comes out of complaining so instead I arranged with the barman that he should buy some ginger and lime and we would meet before opening the following day. So we did and together we made ginger beer and with the skills of the barman created a very tasty drink. We named it CT after Charles Taylor. Charles Taylor was often nicknamed ginger because of his light skin. I hope that costumers ordering a CT do understand that it is an irony – the name was not given to celebrate Charles Taylor, but as a comment on the enigmatic presence of Charles Taylor in Liberia close to ten years after he left the country in 2003.

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Guggenheim’s map–Where is the rest of Africa?


Guest Post by Jennifer Bajorek and Erin Haney
The recent announcement of the Guggenheim Foundation’s new “Guggenheim UBS MAP Global Art Initiative” bears all of the hallmarks of the present era. It is funded by a bank. It has the word “global” in its title. It claims explicitly to challenge “a Western-centric view of art history,” according to the Foundation’s director, Richard Armstrong, in a piece by Carol Vogel recently published in The New York Times. The project will mount this challenge by investing in series of linked-up residencies, exhibitions, acquisitions for the museum’s permanent collections, and public programming with artists, curators and educators in parts of the world hitherto largely ignored by the museum. The modus operandi is encouraging, particularly when compared with late-20th-century attempts to bring non-Western art into dialogue with institutions in the North. The list of regions is long, and includes South and Southeast Asia, Latin America, the Middle East and North Africa. One thing it is not, however, is global: Africa south of the Sahara, and thus 2/3 of the continent, has been excluded.

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Photographer Gregory Chris: Shooting Nneka, Meta and Just a Band


A few weeks ago I sent an email to established French photographer Gregory Chris (see his website) and asked him about featuring his photographs of African music stars on AIAC. He kindly obliged and also responded to questions. Photographer Gregory Chris shot African music stars Nneka, Meta (of Meta and the Cornerstones) and Just a Band in and around New York City. “I wanted to shoot the artists in the streets of the city, in the neighborhoods where they live, their favorite places, inside their homes, in a place they feel comfortable. Basically, I wanted to shoot them as they are.”  The photographs were made a few months ago while he was spending time in New York City. A South African magazine, One Small Seed, had asked him to do something for them and he decided on making photographs of “African artists living in New York City.”  Below we feature some of the photographs and Gregory’s descriptions of how he came to shoot the specific artists, what he tried to convey. First up is Nneka.

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The Strategic Kinship of Uhuru Kenyatta and William Ruto


Guest post by Kweli

We survived Kenyatta / We survived Moi
 / We might survive Kibaki
 / Will we survive ourselves? (Anonymous)

The Kenyan politicians Uhuru Kenyatta and William Ruto have never been closer. Although they are facing charges at the International Criminal Court (ICC), the two have been busy convening prayer-cum-political rallies across the country in their campaign for the presidency. At almost every rally Uhuru and Ruto have knelt on the dais, been anointed with oil and prayed for, and they’ve delivered campaign speeches that double as sermons about their persecution and martyrdom at the hands of the ICC. [Read more...]

Photography. ‘Addis Ababa Diary’ by Mahesh Shantaram

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A while back we featured a random photograph of Indian photographer Mahesh Shantaram (I think Achal Prabhala got me onto Mahesh’s work). Email contact led to me asking him if we could post some of his “Addis Ababa Diary” series on AIAC. Shantaram, who also works as a wedding photographer from his base in Bangalore, explained what led him to photograph in the Ethiopian capital: [Read more...]

In Praise of Jeffrey Gettleman’s Pulitzer


We couldn’t let the week pass without celebrating one of its more significant events: Jeffrey Gettleman, East Africa correspondent for The New York Times (yes, only in Africa can journalists cover territories so vast) was awarded a Pulitzer Prize–valued at $10,000–for “his vivid reports, often at personal peril, on famine and conflict in East Africa.” Floppy of hair, steely of jaw, noble of brow and almost invariably open of shirt, The Gettleman seems to have mustered his Pulitzer mainly by charming the Jury into submission with his carefully cultivated aura of old-world journalistic romance. The macho Gettleman thrusts himself into the torrid zone and must be decorated with all kinds of gongs and baubles. What did we expect? This is the Pulitzers after all. [Read more...]

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