3420
4 mins read

Film: Vivian Maier’s 100,000 photographs

Vivian Maier, the nanny turned street photographer, who has found fame posthumously, now a subject of the documentary ‘Finding Vivian Maier’ (trailer below), was a recluse in the exaggerated form……

4104
3 mins read

‘Township’ is a planet for aliens

A few days ago, Bizcommmunity, an online platform for writings about, amongst other things, content about media, PR and advertising in South Africa published an article riddled with stereotypes. “The township is no longer a foreign land far away and its story is no longer one of the haves and have-nots,” writes one Danette Breitenbach, who has clearly never lived in a township. But the narrative Ms Breitenbach weaves here is not hers alone.

3729
5 mins read

Basil Breakey’s images: An important recording of South Africa Jazz

A few weeks ago, the Central Library in the Cape Town made a book maze from books that were intended to be pulped. Inserted in between the stacks of books that were packed on the first floor, coming up to my shoulders, and sitting atop the stack was a book, Beyond the Blues: Township Jazz in the 60s and 70s, A Photographic Book. When the maze was disassembled, the public, principals and other libraries were invited to grab a book for free. Amidst the chaos that ensued I got my hands on the book ‘Beyond the Blues’. I have stared at it many times. It invokes in me memories I do not own. Memories I have weaved together from other books and other people. The photographs in it are not just works of art but they are ways in which a memory can be haunted and jolted from its state of forgetting.

3142
5 mins read

Can documentary film as a genre do justice to the astounding life of Fela Kuti?

Documentary films truncate an entire life into fleeting bursts of exuberance and somber moments. Any moments that exist in between, however significant they are, are left out completely or brushed over. In making a documentary, on any subject, the director carves a narrative. And at times, the narrative carves itself. The decision then to make a documentary on the astounding life of Fela Kuti is a brave one. What do you exclude? What do you include? And most importantly, what informs these decisions?