AFRICA IS A COUNTRY

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Thursday, June 26th, 2014

Brenda Fassie: a revolution without harmony

In 2002 when it debuted, I went to see ‘Amandla: a Revolution in Four-Part Harmony,’ American Lee Hirsch’s film about the role of music in the anti-apartheid struggle. Uplifting and solemn at the same time, I admit, I cried. But I also doubted that the music in the film was the only, or even most

Monday, April 14th, 2014

The last space of cultural dynamism in Luanda’s baixa is no more

Thirty years ago Joni Mitchell sang: “They paved paradise/ And put up a parking lot/ With a pink hotel, a boutique/ And a swinging hot spot. /Don’t it always seem to go/ That you don’t know what...

Wednesday, March 12th, 2014

#WhiteHistoryMonth: When Salazar met one of Lumumba’s murderers

António Oliveira Salazar founded Portugal’s New State dictatorship in 1933. Some historians like to argue over whether it was fascist or not. And these days, some Portuguese remember him fondly. He presided over the late colonial administrations...

Tuesday, March 11th, 2014

#WhiteHistoryMonth: Aimé Césaire on Europe

I’ve been reading Aimé Césaire’s Discourse on Colonialism. He puts it all plainly. In the flurry of theory, tangles of citational prose, and the demands for refereed this, that, and the other that ping throughout an academic’s...

Monday, January 20th, 2014

Jean-Marie Teno’s new film lays bare the affective costs of public silence in Cameroon

Filmmaker Jean-Marie Teno doesn’t pull his punches. His 1992 film Afrique, je te plumerai became a classroom staple for the thoughtful and unsparing way it tied postcolonial problems to colonial practices. Une Feuille dans le Vent (A Leaf...

Tuesday, October 29th, 2013

Not Nollywood: An Interview with Nigerian Filmmaker Tunde Kelani

Tunde Kelani is a seasoned Nigerian filmmaker wrapping up his sixteenth film, Dazzling Mirage. On the film’s website Mainframe Movies, his production company founded in 1991, promotes this as a “movie and a movement.” This is not...

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