Musician Umlilo pushes gender boundaries in South Africa

Artists in South Africa continue to push the boundaries of gender norms in popular media. In contemporary dance, members of the group V.I.N.T.A.G.E. Cru (who we’ve interviewed) are boldly leading the way (see their latest video) and in music, the young Cape Town-based singer Umlilo is poised to redefine common gender perceptions. Through his makeup, hair, attire and the qualities of his vocal style, Umlilo unabashedly challenges South African society to reassess their assumptions of how men and women are supposed to look, act and sound. This is especially evident is his videos for “Out of My Face” and “The Elements”.

Sonically, Umlilo is innovative as well, blending melancholic electronic beats with vocals that can be slow and ethereal or fast-paced and rhythmic. Coming off his “Shades of Kwaai” EP, Umlilo still has a relatively niche audience, but his presence is demonstrating that there can be space in urban South African youth culture for an open embrace of queer/trans aesthetics, despite the challenges that those communities face in daily life.

That Umlilo is black is significant to consider as well. The popular belief of rigid gender roles and the “un-Africaness” of homosexuality in most African societies make gender transcendance of the kind Umlilo is striving for both more challenging and higher risk in South Africa than in the social environments of North American, European or Asian countries. The penetration of creatives like Umlilo and V.I.N.T.A.G.E. Cru into mainstream media will be the catalyst for life to finally imitate art around perceptions of gender and sexuality in South Africa. Eventually, this gradual social change could influence other African countries, in particular Nigeria and Uganda, where people with nonconforming sexualities are currently being openly persecuted through political and religious agendas.

Photo by Mads Nørgaard.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.