The Revolution Won’t Be Televised is Rama Thiaw’s (born in Mauritania, grew up between Senegal and France) second long-feature film. She documents one year in the life of Thiat and Kilifeu, members of the Senegalese Keur Gui band who went on to organize the ‘Y’en a Marre’ movement. This will probably not be the last documentary on the collective:
(Related: ‘Y’en a Marre’ doesn’t have an English Wikipedia entry, so Ethan Zuckerman created one.)
Further South, Cape Town Hip-Hop (is it a movement?) gets portrayed in Die Hip in Kaapse Hop (“The Hip in Cape Hop”), featuring familiar and less familiar artists such as Dplanet, Rattex –that’s his tune “Welcome to Khayelitsha” in the trailer below–, Emile YX, Codax, Brazuka, graffiti artist Falko, Shameela ShamRock, Driemanskap, Ready D, Rezzano, Azuhl, and Bliksemstraal. Produced by MCL Pictures and LS Design Lab:
On December 17, 1962, Mamadou Dia, President of the Senegalese Council of Ministers, was arrested and given a life sentence, accused of organizing a coup d’état by his friend and companion Leopold Sedar Senghor. He would be imprisoned with four of his closest ministers. Among them, Joseph Mbaye, Minister of Rural Economy, uncle of Ousmane William Mbaye, who made a documentary about what happened in the run-up to that day:
Les Rêves Meurtris (“Shattered dreams”) is a short film by Hady Diawara, dedicated to Yaguine Koïta and Fodé Tounkara, the two young men from Guinée-Conakry who froze to death as stowaways on a flight to Belgium back in 1999:
Une Si Belle Inquiétude (“Such a beautiful restlessness”) is a 12-minutes short by Brahim Fritah, in which he looks back on his travelings between France and Morocco through the use of some of the (archival) photos made along the way:
Bonus: you can watch the film in full over at French news website Mediapart.