Let’s start our weekly round-ups of new music videos this year with some bangers. Representing Congo this week, rapper (and professional dancer) Dinozord: above. Next up, there’s new music and visuals from Art Melody (representing Burkina Faso):

“Lefteneh” by Bajah and the Dry Eye Crew — by the way, about the meaning of that Sierra Leonean “dry eye”:

Ty (born Ben Chijioke — Nigerians claim him) has a new video out as well:

From Liberia (Alloysious Massaquoi) and Nigeria (where Kayus Bankole’s parents come from) via Scotland (Graham Hastings’s place): Young Fathers:

Lee Fields played a set in a Dutch church last year. Yes, we’ll feature all of his videos:

Another acoustic performance; by France-based Oxmo Puccino (né Abdoulaye Diarra):

Judging by the rate at which Laura Mvula is putting out quality videos recently, it seems she’s intent on making the year 2013 hers. We don’t mind:

And in response to what’s happening in Mali, Fatoumata Diawara and her label have brought together a big group of musicians to record the song below. Artists performing on the track include (I’m copy-pasting) Amadou and Mariam, Oumou Sangare, Bassekou Kouyate, Vieux Farka Toure, Djelimady Tounkara, Toumani Diabate, Khaira Arby, Kasse Mady Diabate, Baba Salah, Afel Bocoum, Tiken Jah, Amkoullel and Habib Koite. Bruce Whitehouse’s got the details on the meaning of it all; and wonders where the Tuareg musicians are:

Further Reading

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.