Here’s a resolution for the new year: to feature more Togolese pop. If you don’t know who the above Toofan duo is, google “Cool Catché”. Kuduro on the other hand we can never feature enough — this is a new video for MC Maskarado:

Don’t miss this week’s NPR piece on kuduro by the way, “The Dance That Keeps Angola Going”; they interviewed AIAC’s Marissa Moorman for it.

Next, from Uganda: Vampino and friends (arriving “from far”) visit a rural village; a party ensues. A different kind of dance-hall/pop/(add style):

http://www.youtube.com/watch?v=1Q0mUEuMLQM

Gambian artists Xuman, Djily Bagdad, Tiat and Ombre Zion take a stand ‘Against Impunity’:

South African Tumi Molekane directed a video for MC Reason (who is signed on Tumi’s record label):

Talking about labels…here’s a new video for South African rapper Kanyi. The story is funny-sad, but probably quite real too:

A video for Fatoumata Diawara’s song about men trying their luck crossing the Mediterranean to get to Europe. Here’s a translation of the lyrics.

Malian trio Smod (remember them) is all for ‘a united Mali’:

Wonderful new video for Asa’s Bond-esque ‘The way I feel’:

And one of the albums I’ve been listening a lot to this year — more about that next week — is Carmen Souza’s Kachupada. This is her version of Cape Verdean artists Humbertona and Piuna’s 1970s classic ‘Seis one na Tarrafal‘:

Further Reading

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.