AfricaIs aCountry

Weekend Music Break, N°29

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break, N°29

By
Tom Devriendt

Here’s a resolution for the new year: to feature more Togolese pop. If you don’t know who the above Toofan duo is, google “Cool Catché”. Kuduro on the other hand we can never feature enough — this is a new video for MC Maskarado:

Don’t miss this week’s NPR piece on kuduro by the way, “The Dance That Keeps Angola Going”; they interviewed AIAC’s Marissa Moorman for it.

Next, from Uganda: Vampino and friends (arriving “from far”) visit a rural village; a party ensues. A different kind of dance-hall/pop/(add style):

http://www.youtube.com/watch?v=1Q0mUEuMLQM

Gambian artists Xuman, Djily Bagdad, Tiat and Ombre Zion take a stand ‘Against Impunity’:

South African Tumi Molekane directed a video for MC Reason (who is signed on Tumi’s record label):

Talking about labels…here’s a new video for South African rapper Kanyi. The story is funny-sad, but probably quite real too:

A video for Fatoumata Diawara’s song about men trying their luck crossing the Mediterranean to get to Europe. Here’s a translation of the lyrics.

Malian trio Smod (remember them) is all for ‘a united Mali’:

Wonderful new video for Asa’s Bond-esque ‘The way I feel’:

And one of the albums I’ve been listening a lot to this year — more about that next week — is Carmen Souza’s Kachupada. This is her version of Cape Verdean artists Humbertona and Piuna’s 1970s classic ‘Seis one na Tarrafal‘:

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.