TIME Magazine and the “Africa is Rising” Meme

TIME Magazine has copied what The Economist did in 2011, and decided “Africa is Rising.” Again. This week’s European edition is taken over by stories on this theme. Alex Perry, who writes for TIME from Cape Town (remember his style) has a piece where, despite the cover title, he does not come to any real conclusion. We’ve written about this meme and its various iterations on film, at TED conferences and on blogs before (it will also be the focus of a–hopefully critical–conference at Harvard next April by super anthropologists Jean and John Comaroff; they’re already teaching a course by the same name) and we are not sure what is gained by all this hot air. Whether it is “Hopeless Continent” or “Africa Rising,” these kinds of totalizing narratives of the continent are banal and outdated. Of course it is easier to write yet another new beginning for the continent (or rebrand it, if you prefer), than to offer substantial engagement with the current situation. Perry and co really to need to beef up on their history if they are to cut it as serious commentators and reporters. Take for example:

As Africa marks half a century since it began to free itself from colonialism, its future lies in the hands of hundreds of millions of young Africans who, like [Kenyan photographer Boniface] Mwangi [featured in Perry’s article], must choose between Africa rising and Africa uprising.

What a choice. If you’re talking about, say, South Africa or Nigeria (and I bet Kenyans would agree), I think we’d take uprising, thank you very much.

Anyway, for it what it’s worth, TIME ran the same headline in 1998, with these tired old lines: “Hope is Africa’s rarest commodity. Yet buried though it is amid the despair that haunts the continent, there is more optimism today than in decades …”

* Elliot Ross did more than co-write this post. H/T How We Made it in Africa.

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.